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Material como novo nunca saiu de estúdio tem cerca de 3 anos e foi adquirido diretamente na Symetrics USA por 980 dollars, foi muito pouco usado pois esta como novo só visto. Não baixo mais o valor pois ja estou a pedir uma pechincha por este equipamento. por favor não mandem mensagens a perguntar se baixo o Valor pois não o farei. Especs: This complete analog channel strip performs six separate functions: microphone preamplification, de-essing (sibilance removal), compression/ limiting, downward expansion, parametric EQ, and voice symmetry alignment. All six processes may be used simultaneously. Although we call the 528E a Voice Processor, it is perfectly suitable for any mic- or line-level source. Revered as the choice for broadcast voices and known as the classic one channel console by recording studios, the 528E delivers all the control you need, without the cost or complication of separate units. Each function has a full complement of controls in an easy-touse layout. The 528E works with any professional microphone. Mic preamp gain is variable up to 60 dB, and 48 volt phantom power is provided for condenser mics. A switchable 15 dB pad reduces gain in front of the mic preamp to prevent distortion in super-close micing situations. A front panel switch selects between microphone or line input. Both inputs are transformerless and are equipped with filters to prevent radio frequency interference (RFI). The de-esser senses and regulates selectable high frequencies to reduce or eliminate annoying sibilance and lip smacking. Symetrix program-controlled Integrated Dynamics Processing (IDP) techniques combine the best attributes of compressor/limiters and downward expanders. The compressor/ limiter maintains uniform levels while the downward expander eliminates pumping, breathing, and noise build up. Because its program controlled, the 528Es dynamic range processor responds quickly to transients, and gently to smaller level changes. Separate LED meters display mic/input gain and gain reduction, for quick and accurate adjustment of dynamics functions. The three band parametric EQ performs both creative enhancement and corrective (eliminating resonances and interference) operations, with bandwidth variable from 0.3 octave to 4 octaves, 15 dB boost/cut, and overlapping frequency ranges. A unique leap frog topology minimizes the number of amplifiers in the signal path while ensuring that each frequency band interacts with its neighbor in a desirable and musical fashion. The Voice Symmetry switch corrects for excessive positive or negative signal peaks of the human voice. Get the same processing power found in an entire recording studio signal chain with the 528E Voice Processor from Symetrix, the engineering-driven company of signal processing specialists

As this volume opens we find our hero at age 46, solidly into the midlife crises years. Crumb has lived his entire life in anxious, introspective, self-flagellating crises, however, so the middle years bring only a refinement of his lifelong turmoil and further honing of artistic talent. More words accompany the drawings, demonstrating Crumb's brilliant powers of observation, as in a long paragraph devoted to an encounter with one of brother Maxon's vegan turds, and a poetic paean to the heartbreak of life and aging. The family's move to Sauve, France, in 1991 is heralded by a switch from portraits of apple-cheeked American girls sketched while waiting for food in California cafes to portraits of girls in French cafes, by pastorals of rampant French countryside, and by haunting tableau of homeless beggars in the Metro./r/nThe most notable new character in this sketchbook is a turbaned holy man named, by young Sophie Crumb, Roman Dodo, who seems loosely inspired by Robert's brother Maxon. Patricia Pig, a cheerful human/porcine hybrid also debuts, alongside portraits of girlfriends present and past.. /r/nAs the artist advances into his mid-50s, towards the end of the volume, fantasies of regression to childhood dependence on strong female figures, and even of a good death, carried away on the back of a sturdy young angel, speak less of angst than acceptance of the aging process. Our curmudgeon finds a measure of peace, a certain French acceptance, of the cruel whims of fate. Until the final pages, when he pronounces himself, out of nowhere, /